ICGB   70-246  , 220-801   N10-006   70-461   VCP550   642-999   CISM   200-125  , CISM   70-177  , 200-120   300-320   1Z0-144   JK0-022   300-209   200-355   NSE4   1Y0-201   300-206  , 2V0-620   70-412   MB2-707   300-208  , 1Z0-060   PEGACPBA71V1   LX0-103   000-105   300-209   000-080   1Y0-201   642-732   70-177   70-410   74-678   101-400   MB2-707   MB5-705   500-260   1Z0-051   700-501   MB2-704   70-412  , 70-177   300-209   070-461   2V0-621D   3002   200-125  , CISM   70-410   810-403   220-901   300-115   350-018   000-104   1Z0-803   OG0-091   M70-101  , 200-355   74-678   70-461   210-065  , 2V0-621   200-125  , CAP  , CAS-002   200-310   N10-006   100-101   70-483   MB6-703  , CISSP   1z0-808   300-115   000-089  , 070-461   70-980   70-412   642-732   CAS-002   70-463   350-018   220-801   M70-101   CCA-500   70-461  , MB6-703   102-400   HP0-S42   102-400   74-678   640-911   210-260   SY0-401   350-080   70-243   70-980  ,

Episode 69, with guests Phil Alongi and Adam Belmar


Phil Alongi and Adam Belmar are our guests this week.
Show produced by Katherine Caperton.
Original Air Date: September 1, 2012 on SiriusXM “POTUS” Channel 124.
Polioptics airs regularly on POTUS on Saturdays at 6 am, 12 noon and 6 pm.
Follow us on Twitter @Polioptics Listen to the show by clicking on the bar above.
Show also available for download on Apple iTunes by clicking here.

Phil Alongi, former 30-year veteran of NBC News specials and, most recently, executive producer of the Republican National Convention, files his after-action report on three days in Tampa and what lies ahead for his next gig: producing the pool feed for the first Presidential Debate scheduled for the University of Denver on October 3.

And Adam Belmar, co-founder of Polioptics now helping to produce the stagecraft for Romney-Ryan, retraces a summer of events, the convention highlights and visual cues for a fall full of campaign imagery.

And about Clint Eastwood? There’s too much to say, and it’s already been said. He’s an American treasure and a fine actor but, like everyone else in the spotlight, can benefit from scripting. I’m looking forward to seeing him next in Trouble With The Curve, in theaters September 21.

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